Jessie Ware goes straight to the chase when it comes to the images and inspiration for her new album What is your pleasure?
“Oh god, both images. So much dirt in my head! The singer says the song “Billboard Pop Shop Podcast” (listen below).
“I mean, I was somewhere between (legendary and scandalous nightclubs) Studio 54 and Berghain in Berlin. That’s where she was. It was intentional cinema … I imagined it in a club, but in its perfect version of the club, which, you know, will sell a dirty martini and a packet of salt and vinegar chips (chips). “
What is your pleasure? marks the fourth British star studio album and debuted on the official UK album chart No. 3 is her biggest record so far (and the fourth best in her homeland).
Ware says her “dream about this record”; is to play at Berghain’s Panorama bar and can’t wait for the album to revive its way into a live show.
“You know part of the reason I did so much choreography for this recording as well as the images,” Ware says, because I’ll do it on a live show. I will have fun with all my fans and they will know the dancing order because it is not too heavy because Me can do them. And so it is! “
Below are some of Ware’s most important conversations with the Pop Shop Podcast, including her further thoughts on the start of the album (and who told her in the “Let’s Go to the Disco, Let’s Go to the Bug, Let’s Go Home” set, her ideal scene setting for the upcoming tour and how she thinks Rosalía “kills” her in her performances. Also, Ware, who is also a very successful podcaster (as the host of a food / chat show) Tablee Manieros with her mother Lennie) discusses how the podcast has affected her musical career and how she’s not sure if her recent visit, Josh Groban, knew she was also singer.
Does Ware remember the moment she decided on the scope and direction of this album?
I knew it before my first session with (one of the album’s producers) James Ford. We talk. We are friends. I said, “I want to make a dance record. And I want to do it complicated. I want to do this as a Jessie Ware dance record. And I want to have fun. ” And he said, “I want to hear you on a dance record. I also want to do that. Let’s go to the disco, let’s go to the buggy, let’s go home. ” And that’s what we did.
So we almost knew what we were doing and I felt like I was in great hands with James. And he contacted producers like Morgan Geist, based in New York, and Midland, which I actually got from me (in London). So it was an amazing collaboration. I will then turn to Kindness or Joseph Mount of Metronomy. It seems like in the old days, I just wanted to be like, “Hey, do you want to work together?” And you would just say, “yes! I think so, I would love to work together! ‘And it was really nice.
Did you have images in mind when creating the album?
Oh god, both images. So much dirt in my head! I mean, I was somewhere between Studio 54 and Berghain in Berlin. That’s where she was. It was a deliberate cinematographer, and that’s why I was completely immersed in the Olympic strings and horns, with Jules Buckley, the wonderful composer I worked with when I visited. I did this mini-tour with (superstar DJ) Pete Tong, who everyone knows, and I sang a kind of dance classic, and it was really fun, and Jules was a composer. I was like, “I’ll have it and I will have it, and it will be great!” So, I completely imagined it in a club, but in my perfect club, where, as you know, you sell a dirty martini and a packet of salt and vinegar chips (chips). You know? Like, here.
What Berghain looks like:
I actually think phones aren’t even allowed. I am not sure. Berghain is a place where you don’t know – much like Studio 54 – you don’t know if you’ll get inside. So there is this line and you should expect to look right or you are with the right person to enter. And it’s like such a myth around him. That’s a fact. And here is this Panorama Bar (Berghaine), released by so many of my friends as DJs. I remember my friend Julio Bashmore, with whom I sang songs like “Running” with “If You’re Never Gonna Move” and “Sweet Talk”. Very much on the first (album). And he will fly to Berlin, and when he gets up at 6 o’clock in the morning, he has his own cornflakes, and after that he will go down and make a kind of sunrise that has landed in Berghaine. I mean, he could have chosen not to move all night and, I don’t know, do despicable things and it doesn’t matter, but yes, we do. I really like this feeling associated with dancing. It all depends on people dancing.
I had to play Berghain. You can play the Panorama bar. There was talk in Berlin that I would play it, and then I don’t know, I moved to another location. I don’t know what happened, whether it was a capacity thing or something. I moved to another location, so I still play in the Panorama Bar. And it’s my dream to have this record playing there.
Was she really in the club?
No. But I heard abundantly history.
What did she imagine performing these songs live? Is this total maximalism on stage?
No. I don’t know. It’s a really different setup (compared to previous trips). I’ve really learned the hard way that a tour with the whole band is pretty expensive and you can lose a lot of money, and it’s really sad that such an artist’s reality isn’t massive, but people still like to watch me. But anyway. So, I learned that and decided to do what feels more economical. And I think people are much more forgiving because there’s a (pre-recorded) track going on (as opposed to with live musicians).
At the beginning of my career, there were only four of us on stage. I was causing things using my MPC (drum machine) and was it allowed? And then I think I got into this purist version where I was like, “Oh, everything has to be alive!” No, it’s not! You see Rosalía killing her with dancers and lots of spare tracks, she kills while she sings and has a vibe. So I watched Rosalía and talked to Kindness, who, you know, was actually saying, “You have to be less purist than, for example, too expensive to play with the whole band.” So … The beauty of this record is that I can go with the DJ on my own and do (show) if I want to. Or I can bring my two trusted singers to do the dance moves with me and then it will be a little more vibrating. And then if we really want to go there, and someone wants to pay me big money to let me play, we’re certainly attracting musicians!
My dream would be to have a couple of musicians. As a DJ / electronic wizard and two BV (supporting vocalists). And we would do the choreography. You know part of the reason I did so much choreography for this recording as well as the images because I will do it in a live show. Because I will have a damn good time with all my fans and they will know the order of the dances because they are not too heavy because Me can do them. And here it is! So it can grow and grow and grow. Or it may shrink. And it will still sound bloody good because I can sing live, so that’s all.
Turi Table manners influenced her musical career in any creative or business sense?
Yes, the business aspect has been removed from music, and that is exactly what I needed. Since I was doing this podcast, it went really well, and I enjoyed it, and it felt fun. I think the music and the business and the money got a little worse. And it’s not fun. And then it just ruins creativity. So, the podcast gave me, as an artist, incredible opportunities to feel like I can relax again and feel creative again. So it was really amazing. And then, you know, I think people came to a podcast that didn’t even know anything about my music, and then I really liked the podcast, so it was potentially like, “Oh, I’ll listen to Jessie’s music because I’m any bloody have it in my ear for a week. ” So I think it was really interesting to see how it was done. I can never say how much it affected, you know, the hearings on this post. But I think it probably helped. I would keep in mind that in the first week, I wouldn’t have imagined 75,000 bloody sales for my record as we do in the podcast, but you know, we’ll get there!
Josh Groban was a recent guest Table mannersbut Ware isn’t sure she knew she was also a singer:
I don’t think he knew who I was, it was hysterical. I don’t know … Josh was charming and so cute. And I liked how he got involved in cooking. I don’t remember what he produced, but he gladly spent time with it. But yes, I just got the impression (laughs) that I don’t think he knows – I think he just thought he was on the phone (with) two Jewish women who wanted to talk a little about food. It was funny. Funny … Maybe he knew! Maybe he knew!
In addition to the Ware interview, Pop Shop guests Jason and Keith review the most popular news about Dua Lipa, who finished third on the Pop Songs list with Break My Heart and Drake, who reached the top ten on the Billboard Hot. 100 with two new top ten of his. In addition, Jason shares his quick hot release of Taylor Swift’s unexpected new album Folklore.
Bulletin board Pop Shop Podcast is your all points window Bulletin boardweekly schedules. You can always count on a live discussion of the latest pop news, fun stats and stories, new music, and guest interviews with music stars and people from the pop world. This can be heard by casual pop fans and popular addicts Bulletin boardSenior Top Director Keith Caulfield and Chief Music Director Jason Lipshutz broadcast a weekly podcast that can be broadcast live on Billboard.com, or download from Apple Podcast or your favorite podcast provider. (Click here to listen to the previous release of the show on Billboard.com.)